Duralex glass factory announces shutdown this winter to save energy
“The last fifteen years of the reign have added confusion to the work of French studies.”
“From Elizabeth Borne to Boss Medef, everyone is talking about the word sobriety now”
“Zaporozhye NPP is a dramatic embodiment of the global energy crisis”
Olivier Assoulin Ghazi Rabihavi, Yves Ravey, Joachim Schnerf, So Mi E… Literary Season Review
“Ring of Power” on Amazon Prime Video: review session before the Tolkien show
Dégummeuses, Bayern de Monique, Artichaudes…football, another lesbian battlefield
Loving each other when we broke up: “He made my life shine, and this is my only positive opinion”
Variations of European oriental exotics, photogenic camouflage operations, artists walking on clouds and solid colors: an impressive field of possibilities.
In 1890, Guy de Maupassant published The Wandering Life, a chronicle of a journey across the Mediterranean from Algiers to Egypt via Tunisia. Jesmine Ben Khelil was born in Tunisia in 1986, where many of the clichés of Orientalism, the glow of the sunset, the sensuality of the woman, the myth of Paradise Lost were discovered. She turns them into collages, most of which are small, in which images are cut out like scalpels and layered on top of each other like thin geological layers. Taken from illustrated books and travel postcards, they are most often complemented by the deliberate use of kitschy color lines and set against an ironic decorative watercolor background reminiscent of Maupassant-era marble-bound paper. Therefore, Ben Khelil has put together a collection of images typical of Eastern exoticism in Europe, and images that are so common today. Ph.D.
“Everything turns pink at dusk”, Galerie Maya Müller, 19, rue Chapon, 75003, Paris. www.maiamuller.com Wed-Sat from 11:00 to 19:00, by appointment. Until January 9th.
The revelation was long gone: Elina Brotherus is one of the most dexterous artists using photography and code today. She presents herself as a model in the most diverse and unexpected places, situations and poses, bringing originality to each of her large images, immersing them in absurdity, fantasy, black humor or symbolism. In his latest collections, camouflage is the common denominator, but they are rejected in many ways: a floral dress against a floral wallpaper, sunflowers disguised as Van Gogh in a field, slipping into Friedrich contemplating Sebald’s book, Become a shining fairy in the forest, Rebecca Horn in the grass or Robert Morris in the snow in a melancholy landscape. These are just a few examples. Oddities and allusions are obvious at first glance, or more insidious and require careful study. It also allows us to evaluate the accuracy of composition and lighting. PhD
Bad Camouflage, GB, 18, rue des Quatre-Fils, 75003 Paris. Gbagency.fr. Tuesday-Saturday from 11:00 to 13:00 and from 14:00 to 19:00. Until December 18th.
Because another person (or you) is reading Le Monde with this account on another device.
You can only read Le Monde on one device (computer, phone or tablet) at a time.
By clicking “Continue Reading Here” and making sure you are the only one consulting Le Monde using this account.
No need. You can log in to your account on as many devices as you want, but use them at different times.
You have opted out of the storage of cookies, especially interest-based advertising cookies, when browsing our website.
The content of this website is the result of the work of 500 journalists who provide you with quality, reliable, comprehensive information and innovative online services every day. The work relies on additional revenue from advertising and subscriptions.
Post time: Sep-02-2022